This project explored how traditional craft practices can adapt to circular design philosophies such as Cradle to Cradle and the Circular Economy. Rooted in research on end-of-life textiles, I examined Indian upcycling methods like rafugari and Kantha, which revealed sustainable alternatives embedded in cultural practices. Working with rags on a handloom highlighted the unpredictability of discarded materials — each thread behaved differently, prompting constant adaptation. The handloom became both a challenge and a collaborator, shaping the architecture of my final woven piece. Layered media explorations, life cycle assessments, and hands-on making helped me rethink material value and consumption. The process required balancing exploration with structure — dissecting methods, distilling insights, and working within limitations. In the end, this project became a tactile response to overconsumption — one that honoured both the material’s past life and its potential to be reborn through design.